A Classical Revival: Part III

It might be the company I keep, but I rarely see or hear of many friends who still listen to classical music regularly anymore, if going by social media posts is any indicator. Just earlier this year, I shared a couple of Youtube videos of live recordings of pieces I enjoyed – including a lovely rendition of Handel’s Lascia Ch’io Piango aria as sung by New Zealander Hayley Westenra – and not surprisingly, very few seemed to respond to it. Not quite like the ‘Likes’ any one of Peter or Hannah’s pictures would routinely enjoy.

I’ve still continued eMusic’s subscription service since my last post about my love for the classics 4 years ago now, and picking up to a dozen classical albums each month under its service package – most of which I’ll go through, select, and pack them into the car audio for listening. If it weren’t for this service, I don’t think I’d ever discover much lesser known classical composers like Johann Fasch, Jean-Marie Leclair, Charles Villers Stanford or Pietro Locatelli. I’ve generally steered away from the well-known works from the mainstream composers on eMusic on the other hand – there are only so many versions of Handel’s Messiah, Haydn’s London Symphonies, or Beethoven’s Piano Concertos I want to acquire!

Interestingly and perhaps reflecting also of young people trends, there are fewer manufacturers of dedicated MP3 players these days, what with many preferring to get their music fix via smartphones. Two of the holdouts still releasing updated models regularly are Sony and Cowon. My last MP3 player was a Cowon C2 which I bought from Amazon last year in March and had it shipped here. That little unit produced lovely audio, a very wide range of customization options, and a battery that seemed to run forever – and whose touchscreen zonked out last month. Arrgh. That was my second Cowon MP3 player over the last 5 years, and the first one also failed though for other reasons.

I wasn’t keen to return to Cowon players any time soon again, even though they are still routinely among audiophile’s favorite choices of personal audio units. I was however interested in trying out an Android-based MP3 player, if nothing else that they routinely come with larger touch-based screens, great customization options, and also running off an operating platform I was familiar with and like a lot – if also on the other hand, at the expense of usually shorter battery runlength and also overall stability.

The Sennheiser Momentum hooked up with the Sony F886.
The Sennheiser Momentum hooked up with the Sony F886.

So; in came the Sony Walkman NWZ-F886, and accompanying it a Sennheiser Momentum On the Go – that was picked up early this month. There weren’t that many choices for Android-based MP3 players, quite unlike the almost bewildering range of headphones out there from dirt cheapo ones under $10 to premium ones that have everything and cost a few thousand moola. And after a fortnight of use:

Customization – hooray!

Svelte form factor. Compact, light, and its case that oozes confidence and density – none of that creaky stuff that you get with cheap plastics. Very premium-looking too.

Pretty good audio – and almost as good as the Cowon players.

Android runs well on it. No lag or stuttering observed in music playback. Haven’t quite stress-loaded it with other apps though (no intention to).

Reasonably high-resolution screen for me to squint at the album covers.

Charges quickly.

On the other hand:

Battery isn’t as cracked up as others have suggested. I’m maybe squeezing about 15+ hours of it with some light usage of the screen and scrolling about albums.

Finger-print magnet.

Somewhat low screen viewing angles.

Dated Android OS at 4.1.1, even with the most recent firmware update.

Uses Sony’s proprietary charging and data cables.

On the overall, I’m pretty happy with it – not that I would have had much other choices if i wasn’t!

Discovering Schubert's Overtures - thanks to eMusic.
Discovering Schubert’s Overtures – thanks to eMusic – and also all of Rossini’s Overtures, part of Christian Benda’s series of recordings with the Prague Sinfonia Orchestra.