{"id":26499,"date":"2018-05-18T07:42:23","date_gmt":"2018-05-17T23:42:23","guid":{"rendered":"http:\/\/www.chekyang.com\/musings\/?p=26499"},"modified":"2018-05-28T20:58:58","modified_gmt":"2018-05-28T12:58:58","slug":"sony-fe-16-35mm-f4-0","status":"publish","type":"post","link":"https:\/\/www.chekyang.com\/musings\/2018\/05\/18\/sony-fe-16-35mm-f4-0\/","title":{"rendered":"Sony FE 16-35mm f4.0"},"content":{"rendered":"<p>Of the whole bunch of new lens acquisitions for the Sony A73, the one new lens that has widen the range of photography I enjoy doing has been the Sony FE 16-35mm f4.0. Specifically, I&#8217;ve not used wide-angles much since the Sigma 10-20mm (eqv 15-30mm)\u00a0 for the old Nikon D300 ten years ago. That old lens was fairly sharp &#8211; extreme corners notwithstanding naturally &#8211; but slow at f4-f5.6. More seriously though &#8211; the Sigma had pretty severe barrel distortion that wasn&#8217;t always easy to correct in post-processing.<\/p>\n<p>Due in large part because of our upcoming trip to Bali, and also that now that our kids are growing older and don&#8217;t need as much hand-holding when we&#8217;re on vacation as they did just a few years ago, I&#8217;ve been considering revisiting the kind of landscape and wide-angle I enjoyed during our pre-kid vacations from ten years ago. The Bali 2008 trip especially comes to mind, with the wide-angle shots of Uluwatu, Tanah Lot, Jatiluwih Rice Terraces, and of Mt. Batur. So, serious thought was put into looking at wide-angle zooms as one of the early lens acquisitions.<\/p>\n<p>There are no shortage of wide-angles usable on the Sony A73. And again, that&#8217;s not even counting the non-native lenses that can be adapted for the Sony Alpha 7 cameras. Native-lens wise, Sony has three wide-angle zooms: two in the G line, and one in the GM line. In the former is the ultra wide-angle Sony FE 12-24mm f4.0 and the FE 16-35mm f4.0. In the latter is the Sony FE 16-35mm f2.8. Pricing wise, the FE 16-35mm f4.0 is the cheapest, but all three are regarded to be very high quality lenses. Against that in my shortlist was a pre-loved Carousell-listed Tamron 15-30mm f2.8 that I could use with the Sigma MC-11 adapter.<\/p>\n<p>Deciding which wide-angle was hard. I was initially decided to go with the Tamron, saving myself a few hundred dollars and also get that additional stop of light on the lens. On the other hand, the Tamron&#8217;s front lens element protrudes, making impossible any use of screw-on filters. And as with non-native lenses, there are always possible compatibility issues down the line. The price difference between this used Tamron and a new Sony FE f4.0 was just about SGD200. The general advice has always been where possible and all things else being equal, always go with native lenses. So, I eventually went with the FE 16-35mm f4.0 on account that the price difference of that few hundred dollars wasn&#8217;t enough to make up for possible issues if Sony makes subtle changes to its mount electronics. This is in stark-contrast to the &gt; SGD700 difference in pricing for the 70-200mm f2.8 lens I also decided on. Will blog about that in a later post!<\/p>\n<p>Unlike the Sony FE 24-105mm f4.0, there were noticeably more used copies of the FE 16-35mm f4.0 on the local enthusiast sites. But many owners were pricing their pre-loved copies at just SGD100-200 less than street price. Again, not nearly enough delta to warrant any risks inherent in acquiring used equipment. So, I picked up a new copy of the lens from my usual camera store haunt.<\/p>\n<figure id=\"attachment_26514\" aria-describedby=\"caption-attachment-26514\" style=\"width: 800px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-26514\" src=\"https:\/\/www.chekyang.com\/musings\/wp-content\/uploads\/2018\/05\/blog-2018-photography-OMED0267-sony-equipment.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https:\/\/www.chekyang.com\/musings\/wp-content\/uploads\/2018\/05\/blog-2018-photography-OMED0267-sony-equipment.jpg 800w, https:\/\/www.chekyang.com\/musings\/wp-content\/uploads\/2018\/05\/blog-2018-photography-OMED0267-sony-equipment-300x225.jpg 300w, https:\/\/www.chekyang.com\/musings\/wp-content\/uploads\/2018\/05\/blog-2018-photography-OMED0267-sony-equipment-768x576.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-26514\" class=\"wp-caption-text\">The Sony FE 16-35mm f4.0. Lovely design and comfortable to hold, as have been all of Sony&#8217;s lenses I&#8217;ve picked up so far.<\/figcaption><\/figure>\n<p>My early impressions: the 16-35mm f4.0 is better balanced with the A73 than the front-heavy bulk of 24-105mm &#8211;\u00a0 on account that it&#8217;s both shorter (length of 98.5mm vs 113.3mm) ) and lighter (518g vs 663g). Like the 24-105mm, the lens barrel feels slightly stiff, and hopefully will loosen up after extended use. Unlike that lens, the 16-35mm f4.0 doesn&#8217;t have a independent focus-lock button &#8211; pretty handy. And finally, it uses a 72mm filter thread &#8211; but fortunately, I have an old Marumi DHG circlar polarizer for this thread diameter from the old Nikon days.<\/p>\n<p>The first stash of pictures below were taken on the weekend of the purchase:<\/p>\n<figure id=\"attachment_26515\" aria-describedby=\"caption-attachment-26515\" style=\"width: 800px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-26515\" src=\"https:\/\/www.chekyang.com\/musings\/wp-content\/uploads\/2018\/05\/blog-2018-minton-A7_01725-minton-night.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https:\/\/www.chekyang.com\/musings\/wp-content\/uploads\/2018\/05\/blog-2018-minton-A7_01725-minton-night.jpg 800w, https:\/\/www.chekyang.com\/musings\/wp-content\/uploads\/2018\/05\/blog-2018-minton-A7_01725-minton-night-300x200.jpg 300w, https:\/\/www.chekyang.com\/musings\/wp-content\/uploads\/2018\/05\/blog-2018-minton-A7_01725-minton-night-768x512.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-26515\" class=\"wp-caption-text\">1\/5s, f4.0 @ 17mm, ISO3200 &#8211; and handheld, looking down from our front balcony! A remarkably clean image for ISO3200.<\/figcaption><\/figure>\n<figure id=\"attachment_26516\" aria-describedby=\"caption-attachment-26516\" style=\"width: 800px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-26516\" src=\"https:\/\/www.chekyang.com\/musings\/wp-content\/uploads\/2018\/05\/blog-2018-minton-A7_01739-minton-night.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https:\/\/www.chekyang.com\/musings\/wp-content\/uploads\/2018\/05\/blog-2018-minton-A7_01739-minton-night.jpg 800w, https:\/\/www.chekyang.com\/musings\/wp-content\/uploads\/2018\/05\/blog-2018-minton-A7_01739-minton-night-300x200.jpg 300w, https:\/\/www.chekyang.com\/musings\/wp-content\/uploads\/2018\/05\/blog-2018-minton-A7_01739-minton-night-768x512.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-26516\" class=\"wp-caption-text\">0.4s, f4.0 @ 17mm, ISO3200. Attractive light stars observed at Tranquil World.<\/figcaption><\/figure>\n<figure id=\"attachment_26517\" aria-describedby=\"caption-attachment-26517\" style=\"width: 533px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-26517\" src=\"https:\/\/www.chekyang.com\/musings\/wp-content\/uploads\/2018\/05\/blog-2018-minton-A7_01776-tranquil-world.jpg\" alt=\"\" width=\"533\" height=\"800\" srcset=\"https:\/\/www.chekyang.com\/musings\/wp-content\/uploads\/2018\/05\/blog-2018-minton-A7_01776-tranquil-world.jpg 533w, https:\/\/www.chekyang.com\/musings\/wp-content\/uploads\/2018\/05\/blog-2018-minton-A7_01776-tranquil-world-200x300.jpg 200w\" sizes=\"auto, (max-width: 533px) 100vw, 533px\" \/><figcaption id=\"caption-attachment-26517\" class=\"wp-caption-text\">1\/60s, f5.0 @ 16mm, ISO125 near the Minton&#8217;s children slide.<\/figcaption><\/figure>\n<figure id=\"attachment_26518\" aria-describedby=\"caption-attachment-26518\" style=\"width: 800px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-26518\" src=\"https:\/\/www.chekyang.com\/musings\/wp-content\/uploads\/2018\/05\/blog-2018-minton-A7_01783-tranquil-world.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https:\/\/www.chekyang.com\/musings\/wp-content\/uploads\/2018\/05\/blog-2018-minton-A7_01783-tranquil-world.jpg 800w, https:\/\/www.chekyang.com\/musings\/wp-content\/uploads\/2018\/05\/blog-2018-minton-A7_01783-tranquil-world-300x200.jpg 300w, https:\/\/www.chekyang.com\/musings\/wp-content\/uploads\/2018\/05\/blog-2018-minton-A7_01783-tranquil-world-768x512.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-26518\" class=\"wp-caption-text\">1\/60s, f5.0 @ 16mm, ISO100, and a shot assisted by the Marumi CPL filter. The reflections off the lily pond weren&#8217;t actually visible to the naked eye at the time this picture was taken &#8211; around 11AM on the weekend morning.<\/figcaption><\/figure>\n<figure id=\"attachment_26519\" aria-describedby=\"caption-attachment-26519\" style=\"width: 533px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-26519\" src=\"https:\/\/www.chekyang.com\/musings\/wp-content\/uploads\/2018\/05\/blog-2018-minton-A7_01798-tranquil-world.jpg\" alt=\"\" width=\"533\" height=\"800\" srcset=\"https:\/\/www.chekyang.com\/musings\/wp-content\/uploads\/2018\/05\/blog-2018-minton-A7_01798-tranquil-world.jpg 533w, https:\/\/www.chekyang.com\/musings\/wp-content\/uploads\/2018\/05\/blog-2018-minton-A7_01798-tranquil-world-200x300.jpg 200w\" sizes=\"auto, (max-width: 533px) 100vw, 533px\" \/><figcaption id=\"caption-attachment-26519\" class=\"wp-caption-text\">1\/60s, f5.0 @ 16mm, ISO100. A very clean lily pond after its refurbishment.<\/figcaption><\/figure>\n<figure id=\"attachment_26520\" aria-describedby=\"caption-attachment-26520\" style=\"width: 800px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-26520\" src=\"https:\/\/www.chekyang.com\/musings\/wp-content\/uploads\/2018\/05\/blog-2018-photography-A7_01605-sony1635mm.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https:\/\/www.chekyang.com\/musings\/wp-content\/uploads\/2018\/05\/blog-2018-photography-A7_01605-sony1635mm.jpg 800w, https:\/\/www.chekyang.com\/musings\/wp-content\/uploads\/2018\/05\/blog-2018-photography-A7_01605-sony1635mm-300x225.jpg 300w, https:\/\/www.chekyang.com\/musings\/wp-content\/uploads\/2018\/05\/blog-2018-photography-A7_01605-sony1635mm-768x576.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-26520\" class=\"wp-caption-text\">1\/60s, f4.0 @ 35mm, ISO640. Trying out the 16-35mm f4.0 at the shop of purchase: M S Color @ AMK Hub.<\/figcaption><\/figure>\n<p>The posts in this series:<\/p>\n<p style=\"padding-left: 30px;\"><a href=\"https:\/\/www.chekyang.com\/musings\/2018\/05\/10\/samyang-af-35mm-f-2-8-fe\/\">Samyang 35mm f2.8 FE<\/a><\/p>\n<p style=\"padding-left: 30px;\"><a href=\"https:\/\/www.chekyang.com\/musings\/2018\/05\/13\/sony-fe-50mm-f1-8\/\">Sony FE 50mm f1.8<\/a><\/p>\n<p style=\"padding-left: 30px;\"><a href=\"https:\/\/www.chekyang.com\/musings\/2018\/05\/16\/sony-fe-24-105mm-f4-0\/\">Sony FE 24-105mm f4.0<\/a><\/p>\n<p style=\"padding-left: 30px;\">Sony FE 16-35mm f4.0<\/p>\n<p style=\"padding-left: 30px;\"><a href=\"https:\/\/www.chekyang.com\/musings\/2018\/05\/20\/sony-fe-85mm-f1-8\/\">Sony FE 85mm f1.8<\/a><\/p>\n<p style=\"padding-left: 30px;\"><a href=\"https:\/\/www.chekyang.com\/musings\/2018\/05\/23\/tamron-sp-70-200mm-f-2-8-di-vc-usd-sigma-mc-11\/\">Tamron 70-200mm f2.8<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Of the whole bunch of new lens acquisitions for the Sony A73, the one new lens that has widen the range of photography I enjoy doing has been the Sony FE 16-35mm f4.0. Specifically, I&#8217;ve not used wide-angles much since<\/p>\n<div class=\"entry-read-more\"><a class=\"read-more-link\" href=\"https:\/\/www.chekyang.com\/musings\/2018\/05\/18\/sony-fe-16-35mm-f4-0\/\">Read More<span class=\"cleanwp-sr-only\">  Sony FE 16-35mm f4.0<\/span><\/a><\/div>\n","protected":false},"author":1,"featured_media":26518,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13],"tags":[608,612],"class_list":["post-26499","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-photography-cameras","tag-sony-a7-iii","tag-sony-fe-16-35mm-f4-0","wpcat-13-id"],"jetpack_featured_media_url":"https:\/\/www.chekyang.com\/musings\/wp-content\/uploads\/2018\/05\/blog-2018-minton-A7_01783-tranquil-world.jpg","_links":{"self":[{"href":"https:\/\/www.chekyang.com\/musings\/wp-json\/wp\/v2\/posts\/26499","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.chekyang.com\/musings\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.chekyang.com\/musings\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.chekyang.com\/musings\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.chekyang.com\/musings\/wp-json\/wp\/v2\/comments?post=26499"}],"version-history":[{"count":0,"href":"https:\/\/www.chekyang.com\/musings\/wp-json\/wp\/v2\/posts\/26499\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.chekyang.com\/musings\/wp-json\/wp\/v2\/media\/26518"}],"wp:attachment":[{"href":"https:\/\/www.chekyang.com\/musings\/wp-json\/wp\/v2\/media?parent=26499"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.chekyang.com\/musings\/wp-json\/wp\/v2\/categories?post=26499"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.chekyang.com\/musings\/wp-json\/wp\/v2\/tags?post=26499"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}