{"id":22244,"date":"2016-11-15T07:29:29","date_gmt":"2016-11-14T23:29:29","guid":{"rendered":"http:\/\/www.chekyang.com\/musings\/?p=22244"},"modified":"2017-02-21T21:55:22","modified_gmt":"2017-02-21T13:55:22","slug":"the-piano-project-part-5","status":"publish","type":"post","link":"https:\/\/www.chekyang.com\/musings\/2016\/11\/15\/the-piano-project-part-5\/","title":{"rendered":"The Piano Project \u2013 Part 5"},"content":{"rendered":"<p>One of the key things I was looking forward to with our new piano was composing again &#8211; with the last piece I wrote being just about 20 years ago. Unlike trained composers though, I write while playing on the piano and often with a very large dose of improvisation. And in order for a piece I&#8217;m playing off the top of my head to be transposed to a score, the piano needs to have a recording function.<\/p>\n<p>We weren&#8217;t about to convert our living room into a recording studio for sure &#8211; it would had been logistically difficult and prohibitively expensive to achieve any measure of aural accuracy. Fortunately, the SG2 module on our Yamaha U30BL permits two methods of recording: via MIDI with a good soundfont bank, or recorded directly via the SG2&#8217;s audio jack. The SG2 module is the cheaper of the two Silent Piano options currently offered by Yamaha, and uses 30MB of wave memory to reproduce the piano sounds with a Yamaha CFIIS Concert Grand used to record samples. It&#8217;s not the highest fidelity sound you can get digitally, but it&#8217;s close enough. As for the former: I fortunately still have the very high quality note samples recorded using a Steinway &amp; Sons Type C Grand, purchased from <a href=\"http:\/\/www.trachtman.org\/ragtime\/mailorder.htm\">Warren Tracthman<\/a> from 20 years ago &#8211; which I used to create a new soundfont bank for.<\/p>\n<p>The recordings I made in 1996 were assisted by <a href=\"http:\/\/www.cakewalk.com\/\">Cakewalk Professional<\/a> and <a href=\"http:\/\/www.passportmusic.com\/products\/encore\/\">Encore Music Notation<\/a>, and interestingly &#8211; both products are still around in their new versions, if also slightly rebranded. Thanks in great part because of open source, my software suite is a little different now and comprised of freeware. These might be somewhat gimped in support features, but they pretty much meet my needs. They include <a href=\"http:\/\/www.anvilstudio.com\/\">Anvil Studio<\/a>, the ubiquitous <a href=\"http:\/\/www.audacityteam.org\/\">Audacity<\/a> for editing, and <a href=\"http:\/\/download.cnet.com\/VirtualMIDISynth\/3000-2170_4-75851366.html\">VirtualMidiSynth<\/a> &#8211; a necessary item since I no longer have a dedicated Creative soundcard in my home computers.<\/p>\n<p>The result after a first attempt is below: and a couple minutes of my playing Variations from a Theme from Pachelbel&#8217;s Canon in D by David Lanz. Numerous mistakes in my performance below, including a particularly obvious timing one at around 1 min 10 second mark.<\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=MCHG355F21Y&#038;feature=youtu.be\">https:\/\/www.youtube.com\/watch?v=MCHG355F21Y&amp;feature=youtu.be<\/a><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>One of the key things I was looking forward to with our new piano was composing again &#8211; with the last piece I wrote being just about 20 years ago. Unlike trained composers though, I write while playing on the<\/p>\n<div class=\"entry-read-more\"><a class=\"read-more-link\" href=\"https:\/\/www.chekyang.com\/musings\/2016\/11\/15\/the-piano-project-part-5\/\">Read More<span class=\"cleanwp-sr-only\">  The Piano Project \u2013 Part 5<\/span><\/a><\/div>\n","protected":false},"author":1,"featured_media":22219,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6,11],"tags":[311],"class_list":["post-22244","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-at-home","category-music","tag-piano","wpcat-6-id","wpcat-11-id"],"jetpack_featured_media_url":"https:\/\/www.chekyang.com\/musings\/wp-content\/uploads\/2016\/11\/blog-2016-home-OMEC1206-yamaha-piano-delivery.jpg","_links":{"self":[{"href":"https:\/\/www.chekyang.com\/musings\/wp-json\/wp\/v2\/posts\/22244","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.chekyang.com\/musings\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.chekyang.com\/musings\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.chekyang.com\/musings\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.chekyang.com\/musings\/wp-json\/wp\/v2\/comments?post=22244"}],"version-history":[{"count":0,"href":"https:\/\/www.chekyang.com\/musings\/wp-json\/wp\/v2\/posts\/22244\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.chekyang.com\/musings\/wp-json\/wp\/v2\/media\/22219"}],"wp:attachment":[{"href":"https:\/\/www.chekyang.com\/musings\/wp-json\/wp\/v2\/media?parent=22244"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.chekyang.com\/musings\/wp-json\/wp\/v2\/categories?post=22244"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.chekyang.com\/musings\/wp-json\/wp\/v2\/tags?post=22244"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}